Easy Quilt Patterns

Quilts don't have to be hard to be good quilts. Some of the simplest patterns are wonderful designs.

Here are a few I am hoping to make:

1. X Block or Churn Dash?
An antique top I bought from Cindy Rennels in 2014. At first, I thought it's a Shoo Fly/Churn Dash. Then I thought it's really an X block or Old Italian Block, one of my favorites. It has great fabrics, the first block shows a beautiful blue fabric, a Commemorative of the Centennial--1776-1876:

Centennial Commemorative Fabric

It has only one background fabric and while that's not my normal mode, it really makes all these fabrics stand out. I will make mine just like this:

Detail showing various fabrics

The Top

2. Nine Patch Quilt--how easy can it be? This one is amazing because of the fabric/color placement. It is an Amish quilt, circa 1920. 

This photo has been making the rounds recently when Mary Elizabeth Kinch included it in her Twelve Quilts of Christmas blogs last month. I saved the photo years ago--it is still an appealing quilt to me:

3. Another antique from Julie Silber, this one looks far more complex than it is:

The photo was on a Facebook group for Vintage and Antique quilts and there were several ideas about how the quilt was made. I am eager to give it a try.

4. What could be easier than nine patches? How about one-patches, 3" finished? This antique top was bought from Cindy Rennels and it is only when you see it straight-on that the careful color placement of the patches is apparent: 

I bought it for the fabulous fabric collection it holds. Now I want to replicate it. A few detail shots:

I have made a few simple quilts over the years, most recently My Lifetime
Quilt, 100" x 100", 1.75" half square triangles, 12,800 triangles. In the three years I worked on it, I saw several antique quilts at shows or in photographs that are similar. Easy can still be amazing:

Lessons We Can Learn

I believe every quilt can teach us something, even if it's "I don't ever want to do THAT again".

Let me tell you a story about a simple quilt I own and how that came to be:

About 15 years ago, I was teaching a beginning class of Quiltmaking 101 at a local shop. We had reached the 6th and final class and before class began, one of the students showed this old quilt to us. I raved about it and explained how it would be difficult to determine exact age because the tiny red/white gingham check print had been made for many years--you can probably buy something like it today. I showed them the small cotton seeds visible from the back--homegrown cotton, for sure. Tiny hand quilting stitches, and many of them, are icing on the cake of this very simple quilt.

The woman who brought it said it had been given to her husband by his secretary when the secretary's mother's things were being distributed. The secretary felt sure her boss and his wife would like to have this keepsake. As I went on about what a nice, simple quilt this was, well-loved and worn in spots, she said:

"Well, if you want it, you can have it, I don't want it."

I said "OK", folded it up, put it with my belongings and said "It's time for class." The students stood there with their mouths open--what just happened here? They asked her why she didn't want it and this was her answer:

"I don't want it, it has a mistake."

I got the quilt back out and we studied it hard. It's a very simple quilt of nine patches, 4 red gingham, 5 muslin, set in large blocks, with plain muslin blocks set between:

We looked and looked and FINALLY:

We found the ONE nine-patch that has 5 red gingham and 4 muslin squares. I explained the legend/myth/story that it was customary in olden days for the quiltmaker to include an intentional mistake, because only God is perfect and it would be pretentious to make a perfect quilt. This is almost certainly not true but it can't be proved or disproved today and still makes for a good story. And when I tell students this, we all laugh and say we have no need to make an "intentional" mistake, they always seem to find their way in on their own. Our personal "humility block".

Surely, the quiltmaker didn't run out of muslin or think she needed to make a humility block for religious reasons. I like to think she did it just to keep us guessing, these many years later. It makes me like the quilt and the maker even more. It was intentional but not a mistake.

After class, the donor left and the other students asked to see the quilt again. One of them asked "How could you take that from her?"  My answer "It was easy. She didn't deserve to have it." She didn't appreciate it, seeing only the flaw, not the overall beauty.

Today, this is one of my greatest treasures. I like to think the maker is now resting in peace, as her quilt has a safe home, stored in a pillowcase in a dark closet, only coming out from time to time to teach a lesson.

LIFE LESSONS WE CAN LEARN:

1. Nothing is perfect, appreciate what is good about things.

2. Even though old and worn, there is still value and  usefulness in things.

3. Not as beautiful as it once was, it is still worthy of being treasured.

4. If you look for the flaw, you will find it and it will kill the joy.

5. Simple is sometimes better than complex.

6. Be prepared, when opportunity presents itself--you may just get a treasure you weren't expecting.

Substitute "people" for "things" and the lessons are more broad, but still true.


And, Quilters, please sign, date and label your quilts. How I would love to know the who, what, when, where and why of this quilt. Don't make them guess 100 years from now.

Remember, too, as I always tell students, "There is nothing wrong with your quilt that 100 years won't solve."  Today, if we see pencil marks on an old quilt, we exclaim "Look! You can see the hand of the maker!".  So, be gentle on yourself, dear quilt friends, with any luck your quilts will be loved by generations yet unborn.

Let's quilt.

Barbara